Walking the stage

Long, steady steps vs. short, unsteady steps.

The speaker's movement on the stage is a statement of intent. The way you walk should be congruent with the message of confidence you wish to convey.

A hesitant walk, with short or shuffling steps, and a gaze fixed on the floor, communicates fear and the desire to go unnoticed.

In contrast, a wide, firm stride shows that the speaker has a clear purpose and direction.

It is essential to avoid uncomfortable shoes or unstable heels that limit mobility and force unsteady steps, as this undermines visual authority.

The head should be held upright during movement, maintaining visual connection with the environment rather than checking where one steps.

A firm and determined step acts as an anchor of credibility; the audience unconsciously perceives that whoever steps firmly on stage also has solid arguments.

Occupation of space ("Taking possession of the place").

Staying static in one spot, especially behind a lectern or podium, limits the communicative impact and can generate a psychological barrier with the audience.

The competent speaker should "territorialize" the stage, moving to cover different angles and approach different sectors of the audience.

Movement should not be random; it should have a narrative intent.

One may walk to one end of the stage to address a specific segment of the audience, stop to make an important point, and then move to another sector.

This dynamic occupation of space keeps the audience alert, as their eyes must follow the speaker, and demonstrates that the communicator feels "ownership" of the environment.

By moving freely, it breaks the visual monotony and projects an energy of a confident, empathetic host that invites the audience into his or her space.

Summary

Moving on the dais should be a statement of intent. Long strides demonstrate purpose, while hesitant movements communicate fear and a lack of overall confidence.

Keeping your head up during the walk ensures constant visual connection. A decisive step works as an anchor of credibility, with the audience perceiving solid scenic arguments.

Territorializing the stage implies moving with narrative intention towards different sectors. Dynamically occupying the space keeps the audience alert and projects vital energy.