Transcription Harmonies and Chromatic Combinations
Monochromatic, analogous and complementary combinations
Visual harmony is achieved when there is a common thread between the chosen colors.
The monochromatic combination is the most stylish and safe; it consists of using a single tone (e.g. blue) varying its luminosity and saturation (light blue, navy, petrol). This creates an uninterrupted vertical line that lengthens the figure.
Analogous harmony uses neighboring colors on the chromatic circle (e.g. green, blue-green and blue), offering a smooth transition that is very pleasing to the eye, common in nature.
Finally, complementary harmony unites opposite colors in the circle (e.g. blue and orange); this is a mix of high contrast and energy, where colors compete and enhance each other, ideal for those who seek to stand out and project dynamism.
Use of neutral colors as a base
Neutral colors (white, black, gray, beige) are the foundation of a functional closet.
They are called achromatic or low saturation and have the virtue of "resting" the eye.
Their strategic function is to serve as a canvas for other main colors to shine without generating visual chaos.
Gray, for example, is an excellent mediator; if combined with a vibrant color such as yellow, it reduces its stridency and makes it more acceptable in professional environments.
Neutrals allow versatility and multiply the combination options, since they hardly clash with each other or with pure colors.
Rules for combining prints and textures
For a combination to be successful, there must be coherence and balance. When mixing prints or solid colors, we must look for a unifying element, which is usually tone or intensity.
If we use a very strong complementary combination (e.g. red and green), a technique to make it more sophisticated is to alter the values: keep one pure and darken or lighten the other (e.g. dark forest green with a pale pink), maintaining the harmonic relationship but reducing the visual tension.
Harmony does not mean boredom, but an aesthetic order where the visual forces of the colors are balanced and have a clear communicative purpose.
Summary
Visual harmony requires a common thread. Monochrome stylizes vertically; analog offers smooth transitions with circle neighbors; complementary unites opposites to project high contrast and dynamism.
Neutrals (white, black, gray, beige) rest the eye and serve as a base canvas. They allow the main colors to shine without chaos, multiplying the versatility and options of the closet.
To combine prints or strong contrasts successfully, consistency must be sought. Altering the values (one pure, one dark) reduces visual tension, maintaining aesthetic order and communicative purpose.
harmonies and chromatic combinations