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Change of the protagonist axis

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Transcription Change of the protagonist axis


Replacing corporate complacency with usefulness

A recurring error in contemporary corporate communication is excessive complacency.

Companies tend to write their manifestos and descriptions saturating them with self-congratulation, declaring themselves absolute leaders or possessors of the highest undisputed quality.

However, the consumer is totally indifferent to the historical greatness of the firm.

The individual approaches a product seeking exclusively the satisfaction of his or her own urges.

To succeed, copywriting must make a radical turnaround: eradicate the institutional internal pronoun and replace it with the direct recipient.

The text must abandon the company's trophy cases and focus entirely on the reader's difficulties, demonstrating how the catalog offered will become the perfect tool to facilitate his or her own immediate personal and professional progress.

Argumentative formulation based on common misgivings

The second pillar to consolidate this new argumentative orientation consists in anticipating and dismantling the buyer's natural reticence.

Every prospect approaches with a series of predefined mental blocks: the fear of an excessive price, the doubt about the complexity of the use or the suspicion of lack of time to implement the solution.

High-level persuasive copywriting integrates these objections within the discourse itself to neutralize them before they become entrenched as exit barriers.

If it is assumed that a training course will seem too long, the text should preemptively state that the methodology is fragmented into quick modules for overcrowded schedules.

Confronting perceived shortcomings projects a brutal honesty that disarms skepticism, demonstrating that the organization deeply understands its client's limitations and has structured its proposal precisely to overcome them without generating any operational friction.

Summary

Today's marketplace completely ignores organizations that focus their discourse on magni


change of the protagonist axis

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